Ouch

Dwight Garner, reviewing Nate Chinen's new book of jazz criticism:

He writes about “tracing a historicist agenda that actualized in the 1970s.” The composer Anthony Braxton’s music “utilized proprietary strategies.” Vijay Iyer’s dissertation “helped frame his personal interface with the piano.” The saxophonist Joshua Redman “prioritized an agenda of direct emotional clarity.” Sentences like these prioritize an agenda of not being able to stay entirely awake.