It's a tacky song: I never cared much for it. And Quincy Jones was certainly capable of overproducing, as he amply demonstrates here. But there's a reason Sarah Vaughan was called The Divine One. And Zoot Sims knew he was in the presence of divinity when he added his saxophone filigrees. Come to think of it, Zoot had a little holiness in his sound as well. Add the album of the same name to your Spotify list; you need more Sarah in your personal soundtrack.
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