Can Music Be Perfect? Vol. 100

The centenary of this series calls for a bit of nepotism. The artist does not believe in perfection, I believe. But he and his friend Paul Wiancko get close enough for my standards. Don't miss him if he visits a concert hall near you...

Geoff Nuttall, RIP

To hear him play with SLSQ was to be transported. He was, among other things, a committed California native plant gardener.

Connecting the dots

Review: A Violinist Connects the Dots From Bach to the Present

My "calligraphic" offspring

Not sure I care for the headline, but this profile of a certain violinist I know does make a papa proud.

Offspring plays Janáček

One of the greatest string quartets... the world in 24 minutes...

Tango

Some nifty Piazzolla for you, performed by Sundstrom offspring!

The Suzuki Method

Apparently Mark O'Connor has some problems with Shinichi Suzuki's violin method, and some doubts about Suzuki's professed biography. I have no knowledge of Suzuki's personal story, but I do know something of the Suzuki method and its place in violin pedagogy. My son Alexi learned from the Suzuki books when he started violin at age 4. Suzuki's idea was that little kids could learn to play by ear and from memory before they were able to read music. To me it is a very sensible concept, although in my son's case he started reading musical notation almost from the very beginning. No harm done: the Suzuki books do have written music, so a precocious reader can learn to play both ways: by ear and by note. And that, of course, is how it must be for any serious classical musician. From there, it was on to the student repertoire and then Mozart and Vivaldi.

Any "method" is at best a useful tool in the hands of a gifted teacher, and a resource in the hands of an enthusiastic young violinist. Natasha Fong was the gifted teacher, and Alexi Kenney the young artist. It was a good match. Suzuki is a "good" method if good teachers find Suzuki books good for their students: full stop. It seems that many do.

O'Connor is disdainful of Suzuki's beginning lesson based on "Twinkle Twinkle Little Star" (which my son sang as "Kappa Maki Sushi, Kappa Maki Sushi..."):

In a recent interview, Mr. O’Connor explained the goals of his own violin method, which he calls “an American school of string playing,” and spoke excitedly of his hopes of inspiring a new generation of players. He took out his violin to demonstrate why he thinks “Boil ’Em Cabbage Down,” the fiddle tune that starts his book, is superior to the well-known “Twinkle, Twinkle, Little Star Variations” that the Suzuki book begins with.

I find this somewhat amusing. If the "American school" of string playing is supposed to appeal to today's American kids, then violin transcriptions of Katy Perry or Drake are in order. I see no harm in that. But any kid can also learn the fun and beauty of Twinkle Twinkle, or Vivaldi, or maybe even the Bach Double. And every interested kid deserves the chance to give them a try. Mark, if that is your goal, more power to you. But there's no need to throw Suzuki under a bus in the process...

One of my favorite Kreislers...

Joshua Bell recently returned for another engagement in the DC subway, to a little more fanfare than his first attempt. Here he is a while ago playing one of my favorites... The video is cheesy in parts, but who could play it better than Mr. B, besides Mr. K himself?

Offspring report

My violin-playing offspring had a good week. Watch for him at a venue near you. Or listen to some samples here.

Menuhin Violin Competition winners, Beijing

Congratulations to Kenneth Renshaw for winning the senior competition! A helluva violinist and a nice guy to boot. Congrats to the runner-up, Anna Lee, and to fourth-place finisher Siyan Guo. But especially congratulations to the third-place winner, Alexi Kenney, offspring (third from left). I leave it as an exercise for the reader to figure out where he got his talent and good looks...

Liebesleid

Purity of expression does not require purity of tone or technique!